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The story so far... (Don't read any further if you don't want to know any detail of what happens in this Season of the show).

On street level, Stringer Bell is dead, Avon Barksdale is back behind bars and the cold and wilful Marlo Stansfield (played by Jamie Hector) looks like he's squaring up to be crowned king. Preston "Bodie" Broadus (played by JD Williams) is the only true Barksdale soldier still holding it down but finds it's a whole new game with a whole new set of rules. Meanwhile, the drug dealers' nightmare that is Omar (played by Michael K Williams) has a new protégé in tow and he's as busy as ever. The scene when he and Marlo finally come face to face is pure TV heaven.

On law level, political involvement in the Major Crimes Unit sends its best personnel off in all different directions: Lieutenant Daniels (played by Lance Reddick) gets promoted out, Detectives Kima Greggs (played by Sonja Sohn) and Lester Freamon (played by Clarke Peters) are squeezed out - and back to Homicide - and Detective Jimmy McNulty (played by Dominic West) realises he's running the risk of losing his soul and goes back on patrol. He also gives up the booze and tries to become a family man. The end result of all this is that no one is really up on the wire and by the time the incredible number of bodies being stacked up in vacant houses by Marlo's two lieutenants Chris and Snoop (played by Gbenga Akinnagbe and Felicia Pearson) come to light, there are so many of them, the task of solving the crimes seem pretty much unsurmountable to the shocked law enforcement personnel.

On City Hall level, Councilman Tommy Carcetti (played by Aiden Gillen) does the unimaginable and wins the mayoral elections in Baltimore but finds it might be the beginning of his battles rather than the end.

And if all that were not enough, in the middle school system, the 'No Child Left Behind' programme is shown up for what it really is, while 8th graders - some, like Michael (played by Tristan Wilds) and Dukie (played by Jermaine Hawkins) with drug addicted parents; some, like Namond Brice (played by Julito McCullum) with drug dealing parents - dad Wee-Bey (played by Hassan Johnson) is in prison and mother De'Londa (played by Sandi McCree) wants her little boy to grow up and be just like his daddy - and tragically, some with no parents at all - Randy (played by Maestro Harrell) is in foster care and Sherrod (played by Rashad Orange) is taken under wing by Bubbles (played by Andre Royo) of all people - are left to their own devices and to the lure of the streets. Some of the younger kids like the streetwise and smart-mouthed Kenard (played by Thuliso Dingwall) and the car-stealing, joy-riding Donut, so small he can barely see over the steering wheels of the cars he jacks (played by Nathan Corbett), we don't get to see their parents at all. Ever.

And this is not even the half of it. The scene is thus set for the fourth season of this incredibly articulate HBO series and on many levels, primarily due to the focus of school-age children, it might prove to be the most explosive season of all. With its awesome ensemble cast, "The Wire" continues to draw the highest praise from the most unexpected of quarters all over the world. Don't miss this. And don't let the complex storylines, unglamorous settings or gritty (and often violent) scenes and colourful language put you off. It's like watching real life or reading a novel. In the real world, situations do not usually get resolved within 50 minutes, just as they don't get tied up neatly within a chapter of a book. It was appointment TV for me on the FX channel earlier this year and I so cannot wait for the DVD. This is without a doubt, the best thing on TV.

PS. I've deliberately refrained from using the B word because I've come to understand that it upsets certain people and I totally understand why.

We could be missing the point though, with the utmost respect. The stories that are being told here - and they are just stories by the way; "The Wire" is not a documentary series or even a docudrama - could be told from Washington DC, Miami, Los Angeles, Philadelphia, Detroit or any major US city and still be just as authentic, and just as believable. I don't believe The Wire is a statement about a particular city. I think the creators and writers have just gone with the location they know - and love, it has to be said.

I don't feel it's a statement about America either, particularly. Drug addiction, drug wars (the so-called wars being fought against drugs and the wars the drug dealers are contantly fighting amongst themselves), the proliferation of guns in our communities, political corruption and, (as is highlighted in this particular season), deficient child educational systems in particular and the way children are collectively being failed by the very society that is supposed to protect and nurture them in general, are all evident all over the world if we know where to look.

IMO, these are stories about human nature and the different ways in which man's actions affect the world we live in. That's what makes "The Wire" so fascinating.