All About Movies

First the negative: "The Happening" just is not happening as a successful film. Did M. Night really think a movie with the wind blowing trees and grasses would be frightening? Or that the addition of music as a character with the wind would be ominous enough? Perhaps it is with Mark Wahlberg that he expected the movie to be scary. After all, Wahlberg is noted for his intense acting and those serious facial contortions. One scene shows a side view of his face all screwed up. All I could think was how deeply creased his forehead would one day be! A scary movie should not allow me to think that!

However, one of the few really scary parts occurred when the greenhouse guy was in the scene. First, he tells us that plants respond to human voices (true, long-time studies have confirmed this) and that they can respond negatively as well--deep foreshadowing! After the close-up of his misaligned facial features, I fully expected this dude to be hit with neurotoxins and go beserk. Didn't happen. Red herring!

Another really scary part involved the old woman living in isolation, who revealed herself to be beserk without help of neurotoxins. Maybe that was M Night's point: Nature needs to help along the deletion of unsavory human beings, especially including Average Joe (the construction site jumpers--it is no telling what they have done to the plant world!!), but also the truly insane (the old woman who wisely chose to live in the safety of isolation).

I'm going to leave the last three months alone. I could tear into the problems there, too.

Now the positive: Some of these comments are just the reverse of my negative ones. For example, the addition of Wahlberg in the film was a plus because of his intensity. He pretty much makes the whole plant thing believable--well, almost believable. I was even convinced his and Alma's love stopped the neurotoxins. Actually, because of the mystery entwined throughout the story, there is no reason not to think their love stopped the toxins. In other scenes the galloping fear of toxins seemingly increased the plant rampage.

Overcast skies, wind and music, discordance between words and actions, palpable fear, Wahlberg's panic attack, the Hitchcock-like house and old woman--all lent themselves to an increasing sense of unease to dis-ease. The film does work in some ways.

I leave further arguments to others.