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Underworld: Rise of the Lycans



First off, let me just say that I am a fan of the "Underworld" franchise and I do think that Kate Beckinsale is one of the most beautiful women on the planet. Plus, I am also a sucker for tales about vampires and werewolves. That said, this newest installment of the franchise "Underworld: Rise of the Lycans" doesn't have the previous two films' director, (although Len Wiseman still has credits for the story) and the absence of Beckinsale is of course to be expected (she is also married to Len Wiseman) considering that this film is a prequel and has taken place before Selene's timeline. Seems like Hollywood have listened to the "cries" of die-hard fans of the franchise, and delivered a fun installment in a gothic period.
In an undisclosed time in the past, the coven of vampires ruled the land, using slaves in the form of Lycans to protect their empire. Lucian (Michael Sheen) may well be the first Lycan to be able to turn into human form at will, and for reasons of his own, vampire leader Viktor (Bill Nighy who reprises his role from the first film) decides to spare him and keep him as his "favored" slave. However, things get a little complicated when Lucian develops an undying love for Viktor's daughter Sonja (Rhona Mitra) and dreams of freedom for his Lycan brethren. Now, the lines have been drawn, and the war between Vampires and Lycans is about to begin....
Patrick Totopoulos is now in the helm as director of "Rise of the Lycans" and while I'm not very familiar with his work, I have to say that Totopoulos does know how to make an effective monster feature. The werewolves looked very nasty and feral, even downright dirty, while the vampires have those blue contact lenses and wears fancy medieval armor. The screenplay does stay true to the mythos of the original, but it also nicely blends hyper-kinetic violence, with a Shakespearean "Romeo and Juliet", medieval backdrop in quite a modern fantasy film about the roots of the struggle between the mythological creatures. This prequel does take a life of its own, and while fans are in very familiar territory, the film doesn't exactly alienate new viewers.
The filmmakers does stay within the style and feel of the original film with the gloomy cinematography, bluish muted color schemes and the action sequences carry quite a bit in blood and gore elements--and those scenes are nicely placed. The action in "Rise of the Lycans" consists mostly of swordplay--beheadings are aplenty, limbs are torn and bodies are mutilated. Amid the CGI generated set designs, I was somewhat pleased that this prequel didn't exactly build upon the franchise's past mistakes but it develops a fresh angle on the "Underworld" mythos. There are familiar characters to be seen in the film, and there are subtle hints of things to come. The film also enforces a gothic element that wasn't fully realized in the first sequel, and the screenplay does give room for its performers to have touches of melodrama, complete with very cool, moody posturing.

I supposed the film's main strength will have to come from the effective performance of its cast. Michael Sheen and Bill Nighy does give a very heartfelt performance. Their chemistry as leaders of opposite sides are very nice to be privy to, as their interactions prove to be the film's central focus--a good move by the director since it proves to be a credible plot device to get the franchise's established formulas and romantic tragedies' groundwork. Rhona Mitra is a refreshing presence and proves convincing enough as Sonja, the one major catalyst for rebellion of the Lycans. Of course, fans of the franchise knew exactly what happened to her, and the film just fleshes out her relationship between Lucian, her father and the other vampires.
The film also touches on the vampires relationship with the humans living during this time, and as to how the humans managed to become the dominant species in our present time. The Vampires coven's "Death Dealers" were supposedly the guardians of the human populace, who protect them from the beastly werewolves. Apparently, werewolves are those infected with no ability to change back to human form, and in this manner the commentary on social status is reinforced. Werewolves are to be killed on sight while Lycans are used as slaves. There is also some commentary on the politics of this mythical world, vampires rule, Lycans serve and humans provide silver. Werewolves are the outcasts. The vampires would do anything to hold onto their power base.

"Underworld Rise of the Lycans" may indeed be better than "Evolution" and the film does succeed as being a passionate period horror adventure. There is very small window of opportunity to further build on its mythos and it does do so quite well. The film's weakness may well be that being a prequel, it is difficult to offer that many surprises, if there are any at all. The film is a fun experience and highly entertaining to fans and even to those not familiar with the franchise. "Underworld Rise of the Lycans" is a bloody, stylish, visceral, melodramatic installment to further develop the war between vampires and werewolves. It awakens the senses that this franchise is very much alive, and left me wanting more.

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