"Chick lit" becomes "chick flick" as author Nicholas Sparks gets another makeover by Hollywood. I've read none of Sparks' works, but my better half and I have seen all three film versions of his modern-day tearjerkers: "Message In a Bottle", "The Notebook" and now, "Nights in Rodanthe." This one has all the predictable elements for this genre, but the acting by the leads (especially Lane) is solid and the scenery is phenomenal, the film having been shot around North Carolina's Cape Hatteras and on Ocracoke and Cedar Islands, all of which helps make a fairly mundane story more compelling. (I've been up and down the Outer Banks at least six times during my life, and that was much of the draw of seeing this film, especially at mid-winter.) Of special note is the performance put in by veteran actor Scott Glenn, playing a widower waiting for an apology from the Raleigh surgeon played by Gere. Glenn, who left Hollywood earlier in his career to hang out in Idaho and earn his keep in blue-collar jobs, got the hang of the local dialect in "Nights" by hanging with a crabber and generally melting into the neighborhood. The craggy-faced Glenn owns his scenes with Gere, not only through pitch-perfect dialect but also with an understated yet stinging "nuts to you, you don't get it" attitude. When Gere's character finally visits the widower's cottage, Glenn steals the camera lock, stock and barrel. There's an acting award here somewhere, at least in my book. Cinematically, the only fault one might find with "Nights" comes at the end. Rather than close "Nights" with the spirited shots of Lane on the beach, mesmerized by a rare migration of the wild ponies that ordinarily confine themselves to the Virginia-Carolina border, the decision was made to tack on a wide shot of key characters peering out from a boardwalk - an unnecessary, even hackneyed action that drained some of the momentum from the film in its final moments. "Nights in Rodanthe" isn't rocket science, but it's pretty to look at, the acting is more than workmanlike, and everyone loves a love story, right? Four stars for the film, five for Scott Glenn's performance.